Press

Kjøpsbetingelser

Dansens Hus Personvernerklæring

Miljøfyrtårn

Articles

Program

Profiles

Tilgjengelighet

Performances

Contact and tickets

The Dance Artists House

About Dansens Hus

Archive performances

Accessibility

Events and venue hire

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira37

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira09

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira11

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira28

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira31

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira32

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira33

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira35

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira38

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira40

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira41

Marlene Monteiro Freitas Bacchae Foto Filipe Ferreira26

International

In Euripides, delirium, irrationality, hysteria, madness are traversed, from illusion to blindness and from blindness to revelation. Ferocity and the desire for peace, savagery and the aspiration for a simple and peaceful life are articulated. Opposite and contradictory directions, the clash of elements utmost ambiguous, dismembered bodies, social statutes put at strain, faith and beliefs stress tested... Miracles! 
This is the moral and aesthetic world that the author invites us to traverse and which we accept, leading us to the depths of the human psyche, under forces beyond reason. 
In Bacchae - Prelude to a Purge, music, dance and mystery lead us as funambulists over the wire of intensity, in a combat of appearances and dissimulations, polarized between the fields of Apollo and Dionysius.

 

MARLENE MONTEIRO FREITAS(Cape Verde, 1979) studied dance at P.A.R.T.S. in Brussels, in Lisbon at the Escola Superior de Dança and at the Fundação Calouste Gulbenkian. In her native country, Cape Verde, she co-founded the dance group Compass and collaborates with musician Vasco Martins. She worked with Emmanuelle Huynh, Loïc Touzé, Tânia Carvalho, Boris Charmatz, among others. Her creations include: Bacchae - Prelude to a Purge (2017), Jaguar (2015), with Andreas Merk, Of ivory and flesh - statues also suffer (2014), Paradise - private collection (2012-13), (M)imosa, co-created with Trajal Harrell, François Chaignaud and Cecilia Bengolea (2011), Guintche (2010), A Seriedade do Animal (2009-10), Uns e Outros (2008), A Improbabilidade da Certeza (2006), Larvar (2006), Primeira Impressão (2005). The common denominator of these works is openness, impurity and intensity. In 2017 Portuguese Society of Authors (SPA), awarded Jaguar, the prize for the best choreography and in the same year she was distinguished by the government of Cape Verde for her cultural achievement. In 2018, La Biennale di Venezia has awarded MMF with the Silver Lion for Dance. She has an ongoing collaboration with O Espaço do Tempo(PT) and from 2016-2018 La Manufacture CDCN (FR) contemplates her with the program “Artiste Associé”. She is the co-founder of P.OR.K, her production structure in Lisbon (PT).

Bacchae – Prelude to a Purge